Hamlet

Foto Gaia Bonanomi
Opera & Ballet 2024-2025

Hamlet | Ambroise Thomas

With its lively dances, ghostly scenes, and greatly heartfelt arias, as of its premiere in 1868, for seventy years Hamlet was one of the leading titles run by the Paris Opera, becoming the biggest success of Ambroise Thomas, an opera composer of Wagner and Verdi’s generation, renowned for the immediacy of his style. The libretto is loosely based on the eponymous Shakespearean tragedy. Hamlet, Prince of Denmark, discovers that his father, the king, was killed by his uncle, in a plan to marry the queen and usurp the throne. To expose the murderer, the young prince is compelled to sacrifice all, including the love of the faithful Ophelia. The finale is anything but predictable.


It is customary for the title role to be sung by a baritone, as was chosen for the premiere of the opera. In reality, however, Thomas had scored the role of Hamlet for a tenor. With the rediscovery of the original score in recent years, tenor John Osborn was cast in the role for a new staging of the work. After delighting audiences in Turin in Fille du Régiment, he now returns to the Teatro Regio in the role of the tormented prince, singing the celebrated monologue “Être ou ne pas être.” Sara Blanch will take the stage as Ophélie, whose pyrotechnic aria in the “mad scene” is a true challenge for coloratura sopranos. The production will be directed by Jacopo Spirei and conducted by maestro Jérémie Rhorer, whose renowned sensitivity promises to exalt the contrasting atmospheres of the opera.
 

Jérémie Rhorer conductor
Jacopo Spirei direction
Gary McCann sets
Giada Masi costumes
Fiammetta Baldiserri lighting
Ulisse Trabacchin chorus master
Orchestra and Chorus Teatro Regio Torino
New staging Teatro Regio Torino

Lecture-Concert: Wednesday 14 May at 6 pm - Foyer del Toro

Opera in five acts

Music by Ambroise Thomas
Libretto by Michel Carré e Jules Barbier
World première:
Paris, Opéra de Paris,
Overtitles in italian/french
Indicative duration
210'

Characters and cast

John Osborn (ph Matilde Fassò)
Hamlet Tenor

John Osborn

Riccardo Zanellato
Claudius Bass

Riccardo Zanellato

Polonius Bass

Nicolò Donini

Horatio Bass

André Courville

Marcellus Tenor

Alexander Marev

Laërte Tenor

Julien Henric

Sara Blanch (foto Joan Manuel Baliellas)
Ophélie Soprano

Sara Blanch

Marco Mimica (foto Simon Pauly)
Lo spettro del defunto re Bass

Marko Mimica

Gertrude Mezzo-soprano

Clémentine Margaine

Performances

Location: Teatro Regio Full calendar

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2025-05-15 19:30:00 Europe/Rome Hamlet | Ambroise Thomas di | Ambroise Thomas Teatro Regio di Torino Teatro Regio di Torino

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2025-05-18 15:00:00 Europe/Rome Hamlet | Ambroise Thomas di | Ambroise Thomas Teatro Regio di Torino Teatro Regio di Torino

Opera & Ballet
Hamlet | Ambroise Thomas
John OsbornRiccardo ZanellatoNicolò DoniniAndré Courville
2025-05-20 19:30:00 Europe/Rome Hamlet | Ambroise Thomas di | Ambroise Thomas Teatro Regio di Torino Teatro Regio di Torino

Opera & Ballet
Hamlet | Ambroise Thomas
John OsbornRiccardo ZanellatoNicolò DoniniAndré Courville
2025-05-22 19:30:00 Europe/Rome Hamlet | Ambroise Thomas di | Ambroise Thomas Teatro Regio di Torino Teatro Regio di Torino

Opera & Ballet
Hamlet | Ambroise Thomas
John OsbornRiccardo ZanellatoNicolò DoniniAndré Courville
2025-05-25 15:00:00 Europe/Rome Hamlet | Ambroise Thomas di | Ambroise Thomas Teatro Regio di Torino Teatro Regio di Torino

Opera & Ballet
Hamlet | Ambroise Thomas
John OsbornRiccardo ZanellatoNicolò DoniniAndré Courville
2025-05-27 19:30:00 Europe/Rome Hamlet | Ambroise Thomas di | Ambroise Thomas Teatro Regio di Torino Teatro Regio di Torino

Synopsis

atto

Scene 1: The Coronation Hall

The royal Danish court is celebrating the coronation of Queen Gertrude who has married Claudius, brother of the late King Hamlet. Claudius places the crown on Gertrude's head. All leave, and Prince Hamlet, son of the late King and Gertrude, enters. He is upset that his mother has remarried so soon. Ophélie enters, and they sing a love duet. Laërte, Ophélie's brother, enters. He is being sent to Norway and gives his farewells. He entrusts Ophélie to the care of Hamlet. Hamlet refuses to join Laërte and Ophélie as they leave to join the banquet, and goes off in another direction. Courtiers and soldiers, on their way to the banquet, enter the hall. Horatio and Marcellus tell the soldiers that they have seen the ghost of Hamlet's father on the ramparts of the castle the previous night and go off to tell Hamlet.

Scene 2: The Ramparts

Horatio and Marcellus meet Hamlet on the ramparts. The Ghost appears, Horatio and Marcellus leave, and the Ghost tells his son that Claudius murdered him with poison. The Ghost commands Hamlet to take vengeance on Claudius, but Gertrude must be spared. The Ghost withdraws. Hamlet draws his sword and swears to avenge his father.

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Scene 1: The Gardens

Ophélie, reading a book, is concerned at Hamlet's new indifference. Hamlet appears in the distance, but leaves without speaking. The Queen enters. Ophélie says she would like to leave the court, but the Queen insists she should stay. Ophélie leaves the garden and King Claudius enters. Gertrude suspects that Hamlet now knows about the murder of his father, but Claudius says he does not. Hamlet enters and feigns madness. He rejects all overtures of friendship from Claudius, then announces he has engaged a troupe of actors to perform a play that evening. Claudius and Gertrude leave, and the players enter. Hamlet asks them to mime the play The Murder of Gonzago and then sings a drinking song, playing the fool, so as not to arouse suspicion.

Scene 2: The Play

The King and Queen and the other guests assemble in the castle hall where the stage has been set up. The play begins, and Hamlet narrates. The play tells a story similar to the murder of Hamlet's father. After the "poison" is administered, the "assassin" places the "crown" on his head. Claudius turns pale, rises abruptly, and commands the play to stop and the actors to leave. Hamlet accuses Claudius of the murder of his father, and snatches Claudius' crown from his head. The entire assembly reacts in a grand septet with chorus.

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Closet Scene

In the Queen's chambers Hamlet delivers the monologue "To be or not to be", then hides behind a tapestry. Claudius enters and prays aloud of his remorse. Hamlet, deciding Claudius' soul may be saved, if he is killed while praying, delays yet again. Polonius enters and in his conversation with Claudius reveals his own complicity. The King and Polonius leave, Hamlet emerges, and Gertrude enters with Ophélie. The Queen tries to persuade Hamlet to marry Ophélie, but Hamlet, realizing he can no longer marry the daughter of the guilty Polonius, refuses. Ophélie returns her ring to Hamlet and leaves. Hamlet tries to force Gertrude to confront her guilt, but she resists. As Hamlet threatens her, he sees the Ghost, who reminds him he must spare his mother.

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The Mad Scene

After Hamlet's rejection, Ophélie has gone mad and drowns herself in the lake.

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Gravediggers Scene

Hamlet comes upon two gravediggers digging a new grave. He asks who has died, but they do not know. He sings of remorse for his ill treatment of Ophélie. Laërte, who has returned from Norway and learned of his sister's death and Hamlet's role in it, enters and challenges Hamlet to a duel. They fight, and Hamlet is wounded, but Ophélie's funeral procession interrupts the duel. Hamlet finally realizes she is dead. The Ghost appears again and exhorts Hamlet to kill Claudius, which Hamlet does, avenging his father's death. The Ghost affirms Claudius' guilt and Hamlet's innocence. Hamlet, still in despair, is proclaimed King to cries of "Long live Hamlet! Long live the King!".

[In the much shorter "Covent Garden" ending the ghost does not appear, and, after Hamlet finally attacks and kills Claudius, he embraces Ophélie's body and dies. This version had apparently never been used until recently].